Ferrari

The biopic of the Italian sportscar manufacturing mogul depicts a man struggling to keep the different aspects of his life in a suitable order.

Adam Driver as Enzo Ferrari in Ferrari (Neon).

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This post is part of the ‘One Take’ weekly series analysing the politics of a film currently showing at the cinemas.

Content warning: Death; Child loss; Bereavement.

Note: Given that, at time of writing, Ferrari is still showing in UK cinemas, this analysis only lays out as much of the film’s scenario as is necessary so as to avoid spoilers. It is therefore suitable to be read either before or after watching the film, while hopefully still enriching the viewer’s appreciation of it either way.