Doubt (1991)

Jesus Jones’ breakthrough second album combines post-Cold War optimism, a rejection of moral certainties, and a multivalent response to postmodernity.

Jesus Jones posing for a band publicity shot in 1991 (left-to-right): Jerry De Borg, Al Doughty, Mike Edwards, Simon ‘Gen’ Matthews, and Iain Baker (SBK Records/Randea St Nicholas).

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This post is part of the ‘Rewound’ series of analyses of objects or episodes from cultural and political history.