Academic publication record
Articles:
‘‘Solidarity Forever’? Histories of Gender, Sexuality, and Industrial Action in Made in Dagenham and Pride’, Journal of British Cinema and Television (forthcoming).
‘For Club, Country, and Capitalism? Footballers’ Autobiographies and the Political and Moral Economies of Post-war Britain’, Contemporary British History, doi:10.1080/13619462.2025.2468779 (2025).
‘Restaging Mafeking in Muswell Hill: Performing Patriotism and Charitability in London’s Boer War Carnivals’, Historical Research, 91, No. 254 (2018), pp. 744–771.
‘‘Only a Local Affair’? Imagining and Enacting Locality through London’s Boer War Carnivals’, Urban History, Vol. 45, No. 1 (2018), pp. 100–127.
‘Redefining the Carnivalesque: The Construction of Ritual, Revelry and Spectacle in British Leisure Practices through the Idea and Model of ‘Carnival’, 1870–1939’, Sport in History, Vol. 35, No. 3 (2015), pp. 335–363.
[with Benjamin Litherland] ‘Introduction: Sport’s Relationship with Other Leisure Industries II – Products, Imagery and Spectacle’, Sport in History, Vol. 35, No. 3 (2015), pp. 323–334.
‘‘The Drab Suburban Streets were Metamorphosed into a Veritable Fairyland’: Spectacle and Festivity in the Ilford Hospital Carnival, 1905–1914’, London Journal, Vol. 39, No. 3 (2014), pp. 227–248.
‘Introduction: Leisure in London’s Suburbs, 1880–1939’, London Journal, Vol. 39, No. 3 (2014), pp. 175–186.
[with Benjamin Litherland] ‘Introduction: Sport’s Relationship with Other Leisure Industries – Sites of Interaction, Sport in History, Vol. 34, No. 2 (2014), pp. 183–197.’
Chapters in edited volumes
‘‘…Get Your Adidas Sambas And Floppy Fringes In Place!’: Twenty-First Century Cultural Industries, Heritagisation, Generational Memory, And Britpop’, in Tobias Becker and Dion Georgiou (eds.), The Uses of the Past in Contemporary Western Popular Culture: Nostalgia, Politics, Lifecycles, Mediations, and Materialities (Cham: Palgrave Macmillan, 2024), pp.147–185.
[with Tobias Becker'] ‘‘Do You Know How Nostalgia Works?’ Pop Culture and the Uses of the Past’, in Tobias Becker and Dion Georgiou (eds.), The Uses of the Past in Contemporary Western Popular Culture: Nostalgia, Politics, Lifecycles, Mediations, and Materialities (Cham: Palgrave Macmillan, 2024), pp. 3–22.
[with Benjamin Litherland] ‘Introduction: Sport’s Relationship with other Leisure Industries – Historical Perspectives’, in Dion Georgiou and Benjamin Litherland (eds.), Sport’s Relationship with Other Leisure Industries – Historical Perspectives (Abingdon: Routledge, 2017), pp. 1–22.
‘Weaving Patterns in the Suburban Fabric: Carnival Procession Routes, Mapping Place and Experiencing Space on London’s Changing Periphery, 1890–1914’, in Sam Griffiths and Alexander von Lünen (eds.), Spatial Cultures: Towards a New Social Morphology of Cities Past and Present (Abingdon: Routledge, 2016), pp. 95–113.
Edited volumes:
[with Tobias Becker] The Uses of the Past in Contemporary Western Popular Culture: Nostalgia, Politics, Lifecycles, Mediations, and Materialities (Cham: Palgrave Macmillan, 2024).
[with Benjamin Litherland] Sport’s Relationship with other Leisure Industries: Historical Perspectives (Abingdon: Routledge, 2017).
[with Benjamin Litherland] ‘Sport’s Relationship with Other Leisure Industries II: Products, Imagery and Spectacle’, Sport in History, Vol. 35, No. 3 (2015)
‘Leisure in London’s Suburbs, 1880–1939’, special issue of London Journal, Vol. 39, No. 3 (2014).
[with Benjamin Litherland] ‘Sport’s Relationship with Other Leisure Industries I: Sites of Interaction’, Sport in History, Vol. 34, No. 2 (2014)
Reviews:
‘Lauren Pikó, Milton Keynes in British Culture: Imagining England (Abingdon and New York: Routledge, 2019)’, Urban History, Vol. 49, No. 1 (2022), pp. 240–242 (2022).
‘Peter Burke, Popular Culture in Early Modern Europe, 3rd edition (Farnham: Ashgate, 2009)’, Sport in History, Vol. 31, No. 1 (2011), pp. 115–118.