The Sun Shines Bright (1953)
John Ford’s second Judge Priest film ruminates on the racial and gender order of postbellum Kentucky, and the place of law and justice within it.
Please support my work by becoming a free or a paid subscriber to the newsletter. Paid subscribers can access my full archive of posts at any time, and are vital to me being able to continue producing and expanding th…
Keep reading with a 7-day free trial
Subscribe to The Academic Bubble to keep reading this post and get 7 days of free access to the full post archives.